A Handful (Bucketful) of Show Alerts
Sunday, Jun 21st: Dave Harrington at the Zebulon. Doors at 7 p.m.In 2025, I wrote a review of his Zebulon set, which you can read here.
A Handful (Bucketful) of Show Alerts
Sunday, Jun 21st: Dave Harrington at the Zebulon. Doors at 7 p.m.I got the opportunity to catch The Cab at the The Fonda Theatre. I covered the night for US Rocker Music. You can read the article here. Below are just some miscellaneous additional observations and my Song Spotlight.
| The Cab at The Fonda Theatre |
Drauve closed out a recent Rocknite showcase night at The Airliner Bar. They were the primary reason why I decided to drive down to the venue on this particular Wednesday night. A couple days prior, I went to Spotify and took a listen to their 2025 EP Timeline while tapping away at my work computer. The first two songs off the EP ("Wool" and "Sink In") got me hooked. If interested, I found this Atwood Magazine article (link here) where they discuss the songs from the EP.
| Drauve at The Airliner Bar |
Ryan Raines took out all the stops for his set at The Fable (a Ryan Pollie showcase night). His backing band included the standard bass, drums, and guitar setup; but he also added on a saxophone, and for the last two songs of the set a harmonium. Along with vocal duties, he added to the instrumental orchestral sound by switching between guitar and keyboard. His alt-rock sound had me thinking retro indie Los Angeles from back in the day when Spaceland (link here for some music history) was the center of the Los Angeles music scene. It was a night of dreamy music, highlighted by Raines' bass vocals.
| Ryan Raines at The Fable |
Electric Guest had The Airliner Bar packed for their It's A School Night set (hosted by KCRW and Make Out Music). This was my first time at The Airliner Bar since 2022 when I covered a Jenny O set for Buzzbands (see link for the review and photos). I know that after that point in time, the bar venue went through an ownership change. When I noticed that they were once again putting on shows, I knew I wanted to head there again. I actually wanted to go in January, but something popped up that prevented me from going. Jump to April and I noticed that Electric Guest (as well as Theo Moss) were playing School Night and off I went. What did I notice when I first got to the venue (which is above the bar)? The hole-in-the-wall vibes are now replaced with a sleek modern touch that is similar to The Peppermint Club.
| Electric Guest at The Airliner Bar |
Lauren Lakis and Buckets teamed up for a double album release party at Permanent Records Roadhouse. Lakis recently released her fourth studio album Deadlights and it was her penultimate tour stop. Buckets released their third studio album Horse To Water and will be embarking on an album supporting tour in July. The night was presented by litany of Los Angeles music scene supporters: KCRW, Big Top Booking, and Slouch Records (the record label behind Buckets' album).
| Lauren Lakis at Permanent Records Roadhouse |
Nick Flessa opened up the Rocknite showcase at Zebulon on a recent Tuesday night. I first crossed paths with him back in 2019. Then again in 2021 when he fronted his band Dayton Swim Club. Back in 2019, he responded to an interview inquiry, which you can read part of the response below:
How would you like your music to impact people who listen to your music or see you play live? As a performer I want to amaze and surprise people. I want to challenge assumptions in a way that’s entertaining and engaging. Musically, I want to build worlds that audiences and listeners can travel through. I want to combine seemingly disparate styles, genres and musical personalities in ways that haven’t existed yet. I want to move people while also making them think.
Nick Flessa at Zebulon
A Handful of Show Alerts
Monday, Jun 15th: Jesse Jo Stark at The Roxy. Doors at 7 p.m.ROSIE (moniker for Rosaileen Scher) was the recent opener for Katelyn Tarver at The Echoplex. You can read my review of that night here. One thing I noticed immediately was the crossover in fans. From the very start when she sang "Never the 1," the crowd was singing the lyrics back to her.
| ROSIE at The Echoplex |
Back in the day, there was a band called Gliss that played the Los Angeles music scene for a handful of years. They've since moved back to their home country of Denmark. As an indication of how long I've hung out in the Los Angeles music scene, I listed them as one of my favorite new bands of 2010 (you can read that list here). The biggest name off that 2010 list would be Cold Cave. Nico Vega had a reunion show at the Lodge Room back in 2023. The Like spawned Z Berg and Laena (Feels). Eastern Conference Champions spawned Mondo Cozmo. Lucy Schwartz may not play that often in the LA music scene anymore, but she's known for film and television music contributions. Not that bad of a list there.
| Glyss at The Airliner Bar |
What defines suburbia? Having lived in Los Angeles county for most of my life, I've always found this a confusing concept. I grew up in Lancaster. That would definitely qualify as an exurb, not the suburbs. I currently live in Glendale. Some might say that is the suburbs, but Glendale is closer to DTLA than Woodland Hills is. It also takes a 15 minute walk to cross into Atwater Village. And anyways, I consider much of Los Angeles county as one massive population center where you really can't tell when you've crossed from one city to the next. Those were the strange thoughts that crossed my mind while catching Sidney Bird's (moniker for Sidney Hulburd) set at the WFNM showcase night at Hotel Ziggy.
| Sidney Bird at Hotel Ziggy |
When it comes to photography, sometimes the joke is on me. I went to Rocknite at Zebulon to catch a favorite band, Valley Queen. I reach into my camera bag to pull out my RF 15-35mm so that I could shoot a wide angle shot (to take a photo of the full band). Instead of pulling out my RF 15-35mm, I pulled out my RF 28-70mm. I had packed the wrong lens. That happens on occasion. For me, the two lenses are hard to tell apart when just picking them up. This is where the joke is on me. I went home after the set and took out the RF 28-70mm from my bag and put in the RF 15-35mm. The next day, there was another Rocknite, but this time it was at The Airliner Bar. I went home after work and my mind flashed back to Zebulon and I was thinking, "I better pack my RF 15-35mm." So I went and switched out the lenses (totally forgetting what I had done at around 11:30 p.m. the night before). Up first at the The Airliner Bar was Intercurrent. At some point during their set, I switched my lenses and I pulled out what I thought was my RF 15-35mm. I put the camera viewfinder up to my eye and was like, "I am so stupid."
| Intercurrent at The Airliner Bar |
Singer emory (moniker for Emory Wellons) opened up the night at The Fable for the Ryan Pollie showcase night. This was not a night where people showed up after the opener. The bar was at maximum capacity for her set. Her music is minimalist hyperpop. There was sleight of hand misdirection in the set. She had two bandmates, one playing the bass while the other played a synth. Yet, it felt like she was doing a solo set all on her own. That perception was emphasized by the fact that all three wore headphones and their eyes were focused downward on their individual instruments. It creating an atmosphere of each being in their own headspace.
| emory at The Fable |
Three months passed since I last went to a WFNM showcase at Hotel Ziggy. Those three months were instead spent hanging out at the Bar Lubitsch showcase location. As I walked into the venue, Gina Jacqueline (Gina Jacqueline Binder) was finishing up her first song of the set. I was immediately struck by how her outgoing personality shined through her singing style. I was immediately disappointed that I had missed that first song. I knew I had walked into the venue at 7:15 p.m., which I thought was the perfect time to arrive.
| Gina Jacqueline at Hotel Ziggy |
A Handful (bucketful) of Show Alerts
It was a fun night at Bar Lubitsch for the WFNM showcase night. The night included a backing band that played for the singers on the bill: keyboard, bass, drums. It allowed for rapid switch-overs from singer to singer and let everyone perform with a full band. Also, on specific tunes for each performer, Sean Kellz came up on stage to play the saxophone.
| J Laconn at Bar Lubitsch |
A thunderous start is how one would describe Slotcar's set at The Airliner Bar for the Rocknite showcase. Drummer Daniel Bermudez hit the drum kit so hard that the floor shook. The three piece band also includes guitarist-vocalist Frankie Provenzano and bassist Elliot Rick. Provenzano's vocals punctuated every beat. The band's sound combines influences from shoegaze to alternative rock to punk rock that had the crowd pressed close to the stage and throughout the set chanting out, "Slotcar! Slotcar! Slotcar!"
| Slotcar at The Airliner Bar |
The three piece band Mossybot has a dual personality. How so? Guitar and drum duties were shared between two of the band members with the one playing guitar stepped into the lead vocals role. It led to two distinct sounds during the thirty minute set at The Airliner Bar (a Rocknite showcase night). The first half of the set was driven by raw vocals that swayed the band in the alternative rock direction. The band had a machine like efficiency during that half, softened with a touch of the ambient. Then the switched between the drummer and guitarist occurred. The music went much heavier, fueled by aggression. Screaming vocals were a necessity.
| Mossybot at The Airliner Bar |
| Mossybot at The Airliner Bar |
Comment of the set: "Bring it all in. We're all friends here."
The band played their first show in early 2025 so they're a relatively new band. On this night, they were mainly testing out new material. The song spotlight goes to "HYTI" that was released as part of their four song debut EP Fissure. (I'm just making a guess that HYTI is short-hand for "How you take it.") The song was part of the first half of the set so it had those raw vocals with a double dose ambient sounds that created a brooding atmosphere. The song has a hint of Depeche Mode that cuts open wide the emotional scars of a breakup.
| Mossybot at The Airliner Bar |
I've crossed paths with Sean Fleming a couple times in the past. I first came across him in 2021 at the Silverlake Lounge when The Little Miss was celebrating her birthday party. A year later, he was playing The Echo along side Night Talks. When I noticed he was playing the Americana Joy showcase at the Bigfoot Lodge, I decided I'd make the walk over to catch a third set. Yeah, that's right, I walked over there. It is about a 3 mile round trip to get the blood going on a Friday night.
| Sean Fleming at the Bigfoot Lodge |
Jack West dropped on by the WFNM showcase at Hotel Ziggy. It was part of a mini-tour for the New Yorker that took him all the way to Tokyo for a set at the Ruby Room Tokyo. I took a look at the music venue's Instagram page and I suspect it is an expat hang out. Something to keep an eye on should I ever make my way back to Japan for a vacation. He then stayed in Los Angeles for a few days, playing sets at Nalu Vida in Venice and Desert 5 Spot in Hollywood before concluding his visit at Hotel Ziggy.
| Jack West at Hotel Ziggy |
I first came across the Cigarette Bums in 2010. They were playing a favorite venue at the time called The Blue Star. It resides just north of Vernon and a lonely walking distance from 1720. It was a bar/music venue that eventually closed down. I wrote "it resides" on purpose, because there is still a Blue Star. It is now a dedicated restaurant. I don't know if this is still the case, but underground parties would occur in that area. So you'd see punk rockers slipping into the Blue Star while fashionistas would be making their way to the warehouse party.
| Ciggy Bop! at Harvard & Stone |