A Movie Review: Big Eyes

Big Eyes. We meet Margaret Keane (Amy Adams) as she is getting ready to flee her home.  She and her daughter, Jane (Delaney Raye), jump into the car and head off to San Francisco.  Margaret is able to find a job painting pictures on the sides of baby cribs.  She makes extra money by painting on the streets of San Francisco during the weekends.  This is where she runs into her future husband, Walter Keane (Christoph Waltz).  Walter tells glamorous stories about how he took art classes in Europe.  He wins Margaret over and they're soon married.  A problem arises in their marriage.  Walter Keane purchases wall space at a jazz club.  He puts up his paintings alongside his wife's.  Everyone is drawn to his wife's paintings that portray young girls with big eyes and no one pays any attention to his own work of the streets of Europe.  Well, he finds a way around this problem.  He starts to claim that he in the painter behind his wife's works.  He convinces his wife to go along with this lie.  It starts to put a strain on the family relationships:  Margaret with her daughter, Margaret with his husband.

This movie is fascinating to watch.  Walter Keane has certain strengths.  He can sell and promote.  The problem is that he wants to be a painter and he isn't a very good one.  He is so consumed by this desire to be a famous painter that he turns into the thief, claiming the works of his wife as his own.  Luckily for him, he happened to come across a woman who was talented and also felt a need to provide a stable environment for her daughter.  This desire to provide her daughter a good life results in Margaret going along with this fraud.  This tacit agreement only works for so long, because Walter gradually becomes abusive.  The mental stress of this massive fraud impacts everyone in the family.  And so during the movie you're just loving your hatred of Walter Keane.

As mentioned, Walter pushes Margaret too far and instead of cracking under the pressure, Margaret makes a decision that she made once before, she grabs her daughter and they leave.  They move to Hawaii.  Walter's reach still goes to Hawaii, but then Margaret decides to to do more than just runaway.  She decides to sue Walter.  During the last part of this movie, the movie turns from watching a cruel Walter into watching what happens when a bully finds out that the timid has decided to take a stand.  The movie becomes a great fun farce that turns hysterical once we reach the court room scene where the judge makes a decision that would make King Solomon proud.

I came into this movie knowing nothing about the true story of Margaret Keane.  All I knew about the movie was from the trailers.  And so I have a great appreciation of how this movie reveals a very key fact about this story.  There are at least two hints that are written into the movie (when Walter is attempting to get his paintings hung at an art gallery and when Walter, Margaret and Jane are out painting together) that tie everything together as the movie heads for the finish line.

I also love how during the movie, Jane runs off for a few moments when Margaret is painting on the sidewalk.  Margaret starts to look to the side, but she isn't looking for her daughter.  She is looking at Walter (this being the first time they meet).  There isn't even panic in her eyes that she can no longer see her daughter anywhere.  And then it hit me:  hey, this movie is showing how life was in the 1960s, not how life is in the 2010s.