Music Tastes Good: Day 2

Music Tastes Good Day 2.

Brainstory opened up the festival on Day 2. Their jazz improve had me thinking about one of the opening bands last year, Bootleg Orchestra. It was a chill way to start off the festival.

Brainstory

The Bearcoon duo put on an energetic mid-day set. I couldn't help but think about travelling nomads who make money here and there by putting on sidewalk music sets.

What I noticed: the guitarist knows how to kick. The percussionist knows how to wear a black hat.

Bearcoon

Tied for best set of Day 2: Y La Bamba sound at times reminded me of an old Mickey Hart (Grateful Dead drummer) album, Planet Drum. Sure, Y La Bamba didn't have a line-up of drums, but just how they used their vocals seemed to carry similarities. And then, of course, this band is from Portland and I have a love affair with Portland based bands.

Y La Bamba

Side topic: The Long Beach Stage had a rotating stage. When I first looked at the schedule, I couldn't help but think, "Wait, how's that schedule going to work?" On Saturday, when I first noticed the rotating stage, I was like, "Of course. Duh" There were some amusing moments due to the rotating stage. For Y La Bamba the stage started to rotate a few minutes too early. The lead singer pleaded, "We still have one more song." The stage rotated back in place to let them finish up their set. Jay Som who came on stage after Y La Bamba said, "I'm a little dizzy from the rotating." And as the stage rotated Los Lobos off, they kept on playing in a style that just had me thinking of Disneyland's old Country Bear Jamboree show.

Comment of the day came from Guadalajara's Los Master Plus, "It's about to get a little hotter today, because we're playing some cumbia today!"

Los Master Plus

Dengue Fever lead singer gave us some Asian infused music theory scale vocals. And backing up those vocals were some jazz style sounds. So interesting, so intriguing.

Side topic: as the shade extended across the Long Beach Stage, the crowd grew.

Dengue Fever

!!! put on one great show. The lead singer throughout the set blew kisses into the audience, jumped into the crowd, and put on some John Travolta moves. I'm pretty sure this drove the crowd to dance like no other crowd of the festival.

!!!

Tied for best set of day 2: Peaches put on a theatrical influenced set. Initially, Peaches and her two dancers came out dressed in full body bird-like costumes. As mentioned, in my Day 1 review, the weather was perfect, but how close were they to fainting in those costumes? Well, it didn't take long for Peaches to strip down to her underwear and make a costume change.

Comment of the set: Jesus walked on the water. I'm going to walk across the crowd. (And she did, as fans helped her walk a good 20 meters or so from the stage.)

Lyric of the set: Dick in The Air.

Moment of the set (well, other than walking on the outreached hands): during Dick in The Air, a massive condom floated across the audience. Like massive, like 20 meters across the audience. She walked through the condom and then "came" into the audience.

Peaches

For me, an amusing moment happened during the Los Lobos set. I caught the first part of their set and then took off to catch a few songs of Rhye. Then I rushed back to catch the last part of Los Lobos. I stood towards the back of the crowd. A woman looked at me and I had this feeling she was thinking, "Hey photographer, you're probably not getting the most exciting photos of Los Lobos." I say this, because she said to me as she looked at my camera, "They're so laid back. I love it." Then not a second later, Los Lobos said, "You're definitely the most laid back audience we've had."

Los Lobos

When I was in the photo pit for TUNE-YARDS, a photographer next to me started screaming. We locked eyes and she said, "I'm such a big fan of hers." I say there's some blues-synth fusion genre going on there. Those rapid fire vocals, I'm sure, reverberating across the ocean.

TUNE-YARDS

Sleater-Kenney ended the night with some country/punk fusion sounds. There were some staccato rapid beats coming from that band. It was a great way to end the night. I know this is awful to say, but I took off a little bit before their set ended. As I walked down the road that was parallel to the festival, a skater was sitting on the grass with his camera phone filming the set via the large video monitors that could be seen above the fence that separated the festival from the street. As I walked pass him, I thought, "Now there's a true fan of Sleater-Kenney."

Sleater-Kinney

Music Tastes Good: Day 1

Music Tastes Good Day 1.

Let's just start out with the huge positive. Last year at Music Tastes Good, it was HOT, middle of a late summer heat wave. This year, the weather was perfect. Even at high noon. So sure, Alvvays said during their 5:20 p.m. set, "It's nice there's a breeze now. We're benefiting from that greatly now," but who could argue the point that Long Beach had perfect festival weather.

It's always nice when you catch a band playing a dive bar (and let's be honest, Silverlake Lounge is a dive bar) and the next thing you know they're playing a music festival. That was the case with Spirit Mother who opened up the day at the Long Beach Stage. What did I notice: they sure weren't intimated by the large stage. They roamed that stage like professionals.

Spirit Mother

L.A. Edwards set had me thinking back to an episode of The Andy Griffith Show, The Guitar Player, where Andy helps Jim Lindsey join a band. L.A. Edwards had you believing in the revival of old time Americana country.

L.A. Edwards

Vagabon had one of the quotes of the day, "I didn't prepare any jokes to tell you or I would so we'll just have to sit here while I do this (tuning)." This singer-songwriter would fit in perfectly at Hotel Cafe. And if it weren't for those shades she was wearing, I'm sure her eyes would have shown a fierceness that would juxtapose against those plaintive vocals. And those teeth, she sure knew how to show them.

Vagabon

Juana Molina and her silver hair had the most layered vocals of the festival. I was memorized.

Juana Molina

When I saw Diane Coffee, I immediate tried to think of a movie comparison. Shaun Fleming's (lead singer) set was so lounge singer theatrical that my mind immediately went to The Rocky Horror Picture Show. Then I took a look at the Music Tastes Good website and the bio for Diane Coffee mentioned Little Shop of Horrors. Hmm, I say I wasn't that far off.

Diane Coffee

Best set of Day 1: Alvvays. Awesome cool melodic pop driven vocals. Dreamy. That's just how I love my music.

What I noticed: the lead singer made sure everyone in the band was taken care of in terms of their set needs. The leader.

Lyrics I loved: You don't have to leave, you can just stay with me.

Alvvays

Diane Coffee wasn't the only theatrical set of the day. of Montreal had their flamboyant x2 fun. The last time I saw of Montreal was in 2012 at the Culture Collide music festival. That time, I'd say that the flamboyant side of the band was via backup dancers. This time, it was the lead singer.

of Montreal

The last moments of the festival was a rush between stages to catch Built to Spill, Ride, Ween and
Joyce Manor. The two bands at the New Orleans Stage (Built to Spill and Joyce Manor) couldn't help but mention the more -- let's say -- larger bands playing over on the Long Beach Stage. Built to Spill actually wondered out loud why everyone wasn't over on the other side to catch Ride. Their fan base yelled out, "We're here to see you." Yeah, their fan base was there to catch one rumble in the jungle. Joyce Manor joked about cutting their set short so that they could rush over to catch a couple songs of Ween. Of course, I'll admit that I cut out early on Ween to end my night with some Joyce Manor punk -- was I wrong, I don't think so, but I suppose that's based on your taste of music.

Joyce Manor

Built to Spill

As for the "main" stage, Ride had those speakers vibrating, the lights flashing and the crowd screaming. I'd say that Ride probably had the best light show of the festival -- personal opinion. It made for some awesome photos. And what was funny for me: towards the end of the set, the lead singer Mark Gardener started to chew some gum. I started thinking, "They're done with their set." Ha ha, I was wrong, they went on for a few more minutes.

Ride

Based on my informal polling of t-shirts, I'd say that most of the festival goers were there to see Ween. I don't think their fans were disappointed with their alternative college rock sound. There were some amusing moments during the set. During a tuning break during the set, Dean Ween, lifted out his right arm as he tuned with his left. Whenever their drummer hit that beat, he'd point it out with his fingers. The crowd loved it. Then later, there was a stage runner with a cowboy hat. The guy wanted to put it on the head of Gene Ween. Security chased him down and dragged him off the stage. But hey, Gene later said "Thank you" and put the hat on his head.

Ween

If you're interested in seeing more photos from Day 1, click on this Facebook link.

Jesse Jo Stark with The Pink Slips, Laura Jean Anderson and Dr. Doctor at The Echo

So by the time I went to see Jesse Jo Stark on her 2nd night of her September Residency, I'd seen all the residency bands (Bootleg, The Echo, The Satellite). I'd say that The Echo was the most packed of the three residencies. Dr. Doctor opened up the night. The last time I saw this band was at Broke LA 2016. They gave some pop power to the night. Laura Jean Anderson came up next. Lauren Ruth Ward was in the audience, up front. She looked mesmerized by Laura Jean Anderson. I honestly couldn't help but notice the awesome similarities in their music. Jesse Jo Stark had the crowd packed in with her cool presence and vocals. The Pink Slips closed out the night with a wild stream of consciousness set.

Moons of Mars with Jimmy/James and Rad Horror at the Bootleg Theater

Bootleg Theater had Moons of Mars last Monday night to start off their 3 week residency -- a week cut off due to Labor Day. Jimmy LaValle from The Album Leaf and James McCalister of Planetarium joined forces to put together some synth inspired music. I half suspected that most of their set was dedicated to synth improvisation. It was an interesting set. Moons of Mars played the middle set. Their set was being sponsored by KROQ. I got a free chap stick out of it. I love how the two leads switched back and forth on the vocals. Closing the night out was Rad Horror. This was the second time I saw this band. Got to say, I love their punk style. One song is punk. The next song is melodic. It is all great.

New Language with The New Pacific and Cuesta Loeb

The Satellite brought the hard rock sounds on a recent Monday night. The night opened up with The New Pacific with their relentless hard sounds. There was a break when the lead singer jumped into the audience to kiss his wife (saw a couple rings on fingers). Cuesta Loeb brought the level down for a brief moment with her soothing sounds. Cuesta her sister in the band. Then New Language kicked it back up with a background of a light show. The first time I saw them, I was surprised by their hard core sound, because their set was right after Night Talks (pop sounds). This time, I knew what to expect.

Zealyn with Flavia and O'neill Hudson at Hotel Cafe

So I'm a little late posting this one. I sort of got busy and then I started posting more recent nights out and failed to post this one. Anyways, a little over a month back, it was off to Hotel Cafe to catch Zealyn.

Flavia was up first. The name was familiar, but I'd never seen her play. Her drum sticks danced along with her sound. She had a cheerful personality even after starting off with technical difficulties.

O'neill Hudson hit the stage next. I'd seen her before at The Resident. One of her songs was inspired by her husband who is also a musician. From what I understood, he's often on tour and is greatly missed when he is.

Zealyn was ending a tour. Her eyes can tell a thousand stories and can jump and hop around the stage in total joy. Noticed: she did leave the stage and microphone behind at one point and step into the audience and let her vocals shine. Awesome.

Brian Hill and the Noh Starrs with Shane McKenzie and Janelane at the Bootleg Theater

Solid night out at the Bootleg Theater. Brian Hill and the Noh Starrs was finishing up their residency. It was fun running into Laena from Feels. She was one of the Noh Starrs. Fashion ruled the day for this band. My first through on Brian Hill's fashion for the night was that he was a figure ice skater who was winning some extra points via his vocals.

Janelane was the reason I went out to the Bootleg Theater on this specific night. I saw this band at Echo Park Rising and just knew I needed to take another listen. Those lyrics are filled with youthful pain around love and rejection.

Shane McKenzie opened up the night with what I can say was more art than music. When I walked in, I was in temporary confusion. He was already performing, but part of me was thinking that he was still setting things up. Then I realized that he was actually performing. So weird, so fun.

Dead Dawn, ExSage and The Tissues at the Bootleg Theater

I'll be honest I wasn't planning on heading out to the Bootleg Theater on a Sunday night. The prior week, I'd done a whole lot of music: Echo Park Rising, a Monday night residency, catching Zealyn. I figured it was time to rest up a bit. But then Dead Dawn asked if I'd like to be on the press list for their Bootleg set. Well, I had to say yes to that one.

The Bootleg was holding a mini-festival, but I went out there later (needed to get some rest). First up for me was ExSage. Yeah, I love this band. I swear they played only a 15 minute set, but I was told by Kate, the lead singer, that they played a 25 minute set. Okay, so it felt like 15 minutes. It just went by too fast. The Tissues was a band I hadn't seen before. They brought the punk and the moves. Dead Dawn hit the stage last. Lead singer China brought the hard vocals and then at times shared a tender head rub with the bassist, Gabriel. This was the third time that I saw them play. I actually saw them briefly during Echo Park Rising. I was running around hitting a number of bands within a 45 minute period and I put them on my list for a 2 set photo opportunity.

Chela, Disco Shrine and Zealyn at The Hi Hat

So it was a night of variety at The Hi Hat recently. Zealyn brought the wonderful vocals. Disco Shrine brought the dance fever. Chela brought the high kicks. It was pretty cool. I'd seen both Zealyn and Disco Shrine before. This was my first time seeing Chela.

Pioneer 11 with T.Y.E, Natia the God, and Chester Watson at The Echo

It was an interesting night mix of genres at The Echo. Pioneer 11 brought the synths mixed with guitar and bass. The two musicians switched off between these. Then The Echo turned to rap when T.Y.E, Natia the God and Chester Watson hit the stage. T.Y.E got the fans to turn the lights on via their phones. Natia the God had folks dancing on stage. And Chester Watson proved that he might be ready to hit it big.

Nightmare Air with Pair of Arrows and The Saint James Society at The Satellite

There was a 3 week period where I was working my BUTT off; however, I was able to sneak off to catch some music. Darkness ruled the air at The Satellite a couple Mondays back. Pair of Arrows, The Saint James Society and Nightmare Air ruled the night. Pair of Arrows was perhaps the most into the darkness. The Saint James Society brought rock into the night. Nightmare Air brought some hope to the darkness.

The Vigils and honeychain at The Frog Spot

It was off to The Frog Spot a couple weeks back to catch The Vigils and honeychain. The Frog Spot is this tiny outdoor location that stands above the Los Angeles river. They put on summer shows and it is always nice to head out there a couple times. On this specific late afternoon, The Vigils and honeychain showed how to put on some rock 'n roll stage moves.

Chinatown Summer Nights: Lucy and La Mer, Chris Price, Wait. Think. Fast. and isle&fever

It was off for the 2nd Chinatown Summer Nights of 2017. This time I showed up early to catch Lucy and La Mer. Funny story. I was hanging out at the Echoplex a couple weeks ago and the lead singer of the band came up to me, thinking I was someone else. Well, that encounter ended up with me showing up at their set. That's one way to get a photographer to show up at a future set. Chris Price gave us some breezing singer songwriter music. I couldn't help but notice that he placed his guitar on the keyboard stand and played it like pedal steel guitar. Wait. Think. Fast. is a band that I last caught way back when. After their set, I did some research on the band and learned that they had briefly moved to New York and recently returned to Los Angeles. isle and fever closed out the night for me with some dance vibes.