Steady Holiday with Honey Child and The Bulls at The Satellite

Steady Holiday

This was the last Steady Holiday residency night at The Satellite. It was also very steamy inside The Satellite. The air conditioner must have been broken. I say that, because a couple days later I returned to The Satellite and the air conditioner was up and running. The lack of air didn't prevent an awesome night of music.

First up was Honey Child Choir. In my notes, I accidentally wrote down Holy Child. I think it was driven by the music binders that had "Honey Child" embossed on the front. It reminded me of a church choir. Their music is meditative. Of course, perhaps not too church choir. During a break in the set, one of the singers said, "Are you ready for a fu*!ing good night? Oh wait, Honey Child night, not an Emily night."

The Bulls are a band I've followed for awhile. I went to their 2015 residency twice. I love the hand motions that Anna goes through. She even played around with her dress shawl, it was like watching an angel. I so love her songs. She ended her set with a quick stop and then good-bye.

Steady Holiday had to deal with the extreme body heat of 2 hours of great music. Water was at a premium. Shortly into the set, one of the musicians called out, "Can I have a water?" Dre, the lead singer, went to her bottle a number of times. Someone in the audience called out, "Vodka in a bottle." She smiled, "No, it's not." Steady Holiday equals sweat sound.


Photo Gallery by QuickGallery.com

Midnight Faces with Night Talks and Moxi at the Bootleg Theater

Midnight Faces

It was Midnight Faces' June residency at the Bootleg Theater. Opening up for them were Night Talks and Moxi. Night Talks had some dreamy music. Their lead singer wore a beautiful sheer shawl. Comment of their set, "We're not British."

Moxi has synth beats layered with beautiful vocals. There was a brief joke about the strawberry moon. "Thanks so much for coming, kiss kiss."

Midnight Faces has some beautiful tunes. At times, I thought they might break out into classic '80s tunes from the likes of a-ha. To end their set, they let their music continue as they walked off the stage.

I got to talk with a photographer who photographed Midnight Faces the previous night. She didn't bring her camera this time around. We discussed camera settings that we use at the Bootleg Theater. Geeks.

Note: two bands with names that deal with the night.


Photo Gallery by QuickGallery.com

Caught a Ghost, Mating Ritual and The Lonely Wild at Chinatown Summer Nights

The weather temperature didn't drop much during Chinatown Summer Nights. That also applied to the bands at the LA Weekly stage. Caught a Ghost, Mating Ritual and The Lonely Wild kept the heat high.

Caught a Ghost set veered from dance to pop to gospel. They had a friend that was using confetti cannons. He was shooting confetti into the audience. I gave him some hand motions to send some over Caught a Ghost. He did. I tried my best to capture some solid photos.

Mating Ritual is Ryan Lawhon with friends. The band recently did a residency in front of packed crowds at The Satellite. Ryan is one person who knows how to move on stage. He doesn't always do it by some quick dance moves. A raised arm at just the right angle can highlight the moment.

The Lonely Wild was the main reason why I went out to this Chinatown Summer Nights. I hadn't seen the band in a very long while. Here's a band that is willing to use two trumpets. They always do a Depeche Mode cover. And during one song the drummer played the sides of his cymbals, making them sound like bells. I love that band and they delivered a one hour set.


Photo Gallery by QuickGallery.com

Groves with Dark Waves at The Hi Hat

Groves

Groves is doing the June residency at The Hi Hat. This band has some smooth jazz sounds. What did I notice? The keyboardist/bassist would occasionally play both instruments at the same time as well as putting on some dance moves. Talk about multi-tasking. Comment of the set, "I got sweat in my eyes."

Dark Waves opened the night for Groves. I first saw them when they opened for Meg Myers at the El Rey. This band is pure simple power. I love them. Comment of the set, "Some bands get together and really practice, some bands get together and talk about practice around coffee. Yesterday's practice was somewhere in the middle."


Photo Gallery by QuickGallery.com

Steady Holiday with Karoshi Mode and Vox at The Satellite

Steady Holiday

It was a spiritual night at The Satellite during a Steady Holiday residency.

Karoshi Mode opened up the night with mystical, ethereal vibes. Random observation: the two female members of the band appeared to have constant communication with each other, leaving a third male member to his own devices. I say devices, because he did have the most interesting contraption on stage. Wires were going everywhere. "How are you doing now?" a band member asked. Someone in the crowd responded, "Shh."

Vox came out with a long white shawl covering a dress. The set felt very minimalist. As for Vox, I got the feeling that I was watching someone from biblical times. The dress and the fact that she was barefoot on a stage with a small Greek pillar made one think of Greeks walking a temple path.

Steady Holiday is Dre Babinski. She was joined on stage by two individuals that I recognized immediate. There was Alina Bea who started things off at Broke LA. And there was Brake Straus who played with Atlas Genius at Make Music Pasadena. Before Dre Babinski brought out her band, she did a couple solo songs. A decorated shield was behind her, which made her look like a royal. A lovely set that calmed the soul. The last night of the residency could get interesting. The Bulls will be there and both bands incorporate a violin. Shall we have a dual of violins?


Photo Gallery by QuickGallery.com

Make Music Pasadena 2016

The Mowgli's

Make Music Pasadena. This must be a first. A light drizzle fell on Pasadena during much of the festival. Conversation among photographers was regarding if the rain could potentially cause moisture problems with their cameras. I wasn't too concerned. I figured a camera should be able to handle a light drizzle. I guess I won't learn if I was right for sure until time passes. I did have a towel that I used to wipe down my cameras. I also refused to switch out my lenses. I brought a lens that I always like to use for a few shots during a music festival, but I decided not to take the chance considering the drizzle. As for the musicians, I noticed that Make Music Pasadena organizers were well prepared. They had towels that they put out for the musicians to make so that they could keep things as dry as possible.

So yes, the drizzle was of concern for photographers and musicians, but that didn't put a damper on Make Music Pasadena. The day proved that we in Southern California can handle a light drizzle. Maybe we can't handle rain, but a drizzle . . .

I caught a number of bands/artists. Some I caught for just a couple songs as I rushed from one stage to another. So here are some thoughts on many, but not all the bands I saw.

The day started off with Kid Cadaver. It was a nice way to get the heart pumping at 11 a.m. The drummer knows how to entertain.

I jumped between the Old Towne Pub and the Balcony TV stages next. Baby Medusa rocked out the Old Towne Pub. Sleeplust graced the Balcony TV stage with sounds that had just a twist of the Middle East.

LA Girlfriend was fun and spunky. For the last couple of songs, cheerleaders helped increase the entertainment value.

Dear Lemon Tree (their name used to be Lemon Tree, but they needed a name change as another band already uses that name) is a folk trio. One used a string as a guitar strap. This band also features Leslie Stevens, a staple of the Los Angeles music scene.

Papa's drummer has an unknown amount of energy as he does dual duties as the drummer and lead singer. They also had the statement of the day, "God chose a strange day to rain on us."

The Mowgli's are a band that thrives on positive thinking. They even said the positive, "Honestly, you make it look sunny out here."

Atlas Genius got the crowd hopping. They asked everyone to get low and jump for joy. The crowd got super pumped for their Aussie rock.

Nohka and Medicine for the People had the crowd bringing out the hula hoops.

Chelsea Lankes had to deal with static problems for her first two songs, but that didn't stop her from delivering a killer set. She announced that she just broke up with her boyfriend. The men in the audience cheered. Hopefully, none of those cheering had girlfriends with them.

Warchief was my last band of the day. The Old Towne Pub was packed. I slowly positioned myself closer to the stage so that I could get some photos. This band's encore was "Born to be Wild." That got the crowd singing.

That was 2016. Here's to 2017!!!

Photos can be found at:

Instagram: @notesfromvivace

Facebook: intraffikradio

Cave Clove and Thieves at Harvard and Stone

Thieves

It was off to Harvard and Stone on a recent Tuesday night.

Cave Clove's lead singer lets her vocals soar. She does have support as often times they go with a trio of vocals that hit a touch of country along with a little Americana. As for their guitarist, he hid in the shadows of the Harvard and Stone stage. This band came to Los Angeles from Oakland and I couldn't help but think during their set that they've probably played the Amnesia in San Francisco.

Thieves has a serious full sounding band. They love the dueling vocals. As for full sounding band, they even brought out a toy piano, which reminded me of Eliza Rickman. I couldn't help but notice that to close out the set the guitarist was practically betting himself with his guitar.


Photo Gallery by QuickGallery.com

Franky Flowers and King Shelter at The Echo

Franky Flowers

This was the second time I've seen Franky Flowers. I first saw them when they did a set with The Fontaines at The Silverlake Lounge. I couldn't help but notice their running shoes matched with dockers. And then there was also my fascination with how the lead singer used his foot pedals. The band ended their set with a symphonic sound, which was probably limited by the fact that there was a broken guitar string, but how better to end a set then to show that you gave it your all on the guitar?

King Shelter opened up for Franky Flowers. This band jumped around stage so much that they got their guitar cords all tangled up. They also had the quote of the set, "This song is about my observations of Southern California after moving out here from Fort Lauderdale, pretty weird.

Emily Gold and The Bomb at Harvard and Stone

Emily Gold

It was off to Harvard and Stone to catch Emily Gold's final residency night. She came on stage wearing a Sister Crowley pin. I did some quick Facebook research. Sister Crowley is a band from Long Beach. Psychedelic lights played across the Harvard and Stone stage and gave the perfect background for a dreamy set.

The Bomb opened up for Emily Gold and stated that this was only their 5th show. Wow, they hit it out of the park with their '70s bell bottoms and rock grooves. The crowd even demanded that they play an encore. The band seemed very excited by this request. They grouped together and came up with a song for their encore. That left the crowd very pleased.


Photo Gallery by QuickGallery.com

Ivory Deville and Rod Melancon at the Silverlake Lounge

Rod Melancon

Ivory Deville and Rod Melancon hit the stage while I was at the Silverlake Lounge on a Monday night. I noticed the lead singer from Ivory Deville taking out his foot pedals from a old style leather brief case. That was pretty cool. The band quickly went into their honky-tonk sounds with the two female members of the band dancing like they were possessed by the music.

Quote of the night by Ivory Deville, "If you brought your dancing boots, there's some room there and I advise you to do so."

Closing out the night was Rod Melancon with some perfectly coiffed hair. With his Rusty James guitar, Rod and his backup band went on an Americana music gig. With a Ranger t-shirt and a tattoo on his left arm, Rod jammed away and at times knelt down to really take Rusty James to new heights.




Photo Gallery by QuickGallery.com

Highland Kites and The Active Set at Harvard and Stone

Highland Kites

It was off to Harvard and Stone on a Wednesday night to catch a couple bands. Starting off the night was Highland Kites. There is a tenderness and heartfelt perspective in the vocals of the lead singer, Marissa. I also couldn't help noticing that the guitarist and bassist were having constant side conversations during song breaks. Each time, the guitarist would have a huge smile on his face. Now what were they discussing?

As I was walking towards Harvard and Stone, The Active Set was also heading towards the bar. As we crossed the street, one of the band members started to veer off in the wrong direction. The other members started to look at him, almost wanting to tell him, "Hey, you're heading in the wrong direction." When we got to the other side of the street, the guy walked over to a sleeping homeless person, tapped him on the shoulder, and handed him a container of food. Now that was a cool gesture.

So the lead singer is so tall that he needed to remove the microphone stand from the stage and put it on the boxes used in front of the stage that the monitors sit on.

FYI: The Active Set music is 75% melancholy.


Photo Gallery by QuickGallery.com

Barb Wire Dolls and Bad Cop/Bad Cop at Whisky a Go Go

Barb Wire Dolls

It was off to the Sunset Strip for the first time since the last time I saw Barb Wire Dolls. Yep, this band can get me to do the 45 minute drive to the Sunset Strip. Their lead singer Isis Queen gave the audience what they wanted, thirty minutes of punk rock vocals and stage show theatrics. They were doing a music video and so guitarist Pyn Doll started the show by announcing the necessary legal statement. Ha ha. I love how this band does things by the book.

Bad Cop/Bad Cop opened up for Barb Wire Dolls. I was worried I'd miss them as traffic to the Sunset Strip was bad. I made it and I'm happy I did. They were the perfect punk band to open for Barb Wire Dolls. Their mission statement has to be what they said during their set, "Life as a punk rocker." This band knows how to do a back foot stomp. This was also their record release party. The person on their record cover is one of the band mates' roommate. The roommate looks to be in his 60s, but he still knows how to join in on a mosh pit.

One has to say this about the Sunset Strip: bands on the Sunset Strip know how to entertain.


Photo Gallery by QuickGallery.com

Feels with Susan and Fire Retarded at The Hi Hat

Feels

Too much time had passed since the last time I saw Feels. So when I noticed they had a show at The Hi Hat, off I went without a thought. They closed the night out to a packed room. Maybe too much time has passed since I last saw them, but I couldn't help but feel that their new bass player (well, I suppose that depends on how long you've been following Feels and Raw Geronimo) was far better integrated with the band versus the last time I saw them. She helps highlight the free flowing style of Feels as Laena now takes on the additional role of guitarist along with singing.

Opening for them were Susan and Fire Retarded. The three Susans have smiling harmonies as they hit the garage/surf rock sounds. Maybe it was the stage light impact, but I do believe they were all dressed in black. I said a brief hello and asked if any of them were named Susan. No, they just like folks named Susan. I guess that was a cliche question. Of course, I've always found that I love folks named Laura so naming your band after Susans you like isn't that strange.

Fire Retarded was in from Wisconsin. Their music and stage presence hit the crowd like a bullet. Their punk show held the attention of an appreciative audience. What did I notice: Their drummer had a boxing/MMA championship belt around his waist. And at the end of each song, the lead singer would jump in the air as if he was in wild celebration.

What a great night.


Photo Gallery by QuickGallery.com